Prints that can evolve from the residual ink.

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I experimented on Gelli plate to make mono prints with different colored inks.

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I added a collagraph in a shape of a eye as an image.

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For gelli plates I need to hand rub in order to get ink on it.

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The surface changes with every print. I could add the ink or change the position of the collagraph to create a new mono print.

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Jeweler Mentees At Work

 

Emelie Shapiro has her two menttees the choice of infusing the themes of superpowers into they’re bracelets.She has also taught them about  the change that metals undergo when extreme heat is applied.

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Visit to NADA Fair(New Art Dealers Alliance)

This gallery contains 7 photos.

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Visit to JordanHead

The Phillip Shung mentor group visited JordanHead a local sneaker and clothes store that has a lot of history behind and the owner, Calvan is a filmmaker who has many connections and has worked for Spike Lee famous director.

Instagram: @jhbk23

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Join Us on Saturday at NADA

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Brainstorming With Phillip Shung and Mentees

In the beginning there were many ideas being shuffled around and changing but we have managed to round it down to 3 main topics. Cosplay,technolgy,and homelessness our magazine will be a combination of these topics. Each topic a peice of ice that will melt and together become water hense the name Melt™.

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Ellen and Johan’s explorations in Printmaking

From the first meeting up until today, we have made a drypoint and printed it using the chine colle technique.  The press was used for this method.  The new plate is a very intricate collagraph.  I hope to learn more techniques to create more complex plates as well.

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A test trial of chine colle and glue print in order to inform me of what the media can do. It is also for the reason of observation of this technique.

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First attempt in drypoint. I carved the image into a plastic plate, inked it and used the press to print it.

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Second attempt on dry point but with chine colle. A combination between two printing techniques. A stylish work of print.

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In this image I am cutting an image for a collagraph which is a work in progress.

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